
Faded grandeur: The hunkar sofasi, or Throne Room Within, where once the Sultan received family and personal guests for celebrations and entertainments. After the Harem Fire of 1666 it was redone in elaborate Roccoco style; calligraphic tiles border the room.
"Lamps were hung about, along with caged canaries and glass globes filled with colored water. Sometimes whirling dervishes entertained the sultan with their madly spinning dance, or girls played catch with a golden ball. And lumbering among the tulip beds were turtles by the hundreds, each with a lighted candle mounted on its shell.” A passage from Middle Eastern Food by Harry Nickles, reprinted in Barrie Kerper's Istanbul: The Collected Traveler.
For centuries it was known simply as the New Palace, or to some, as the Grand Seraglio.
A low, sprawling place with stone walls 10 feet thick, situated on a promontory with commanding water views: the Golden Horn, the Sea of Marmara, the Bosphorus. Built by Mehmet the Conqueror after he sacked Constantinople in 1453; rebuilt after fires and an earthquake, each time becoming larger and more intricately laid out.
For four centuries this was the imperial residence of the Ottoman Sultans, a place of unimaginable opulence. There were exquisite gardens, singing fountains, vast sweeps of tulips that blossomed in spring. Table knives were made of gold set with diamonds, courtiers wore brilliant gold-embroidered silks and satins. Golden thrones were set with tourmalines, pearls and emeralds. Sultan Amhed’s wife wore emeralds, 200 in all, “everyone as large as a half crown piece,” wrote Lady Mary Wortley Montagu in 1717.
Later the palace came to be known as Topkapi, after a gate of the same name that no longer exists. (The word means “cannon’s gate.”) At its peak 4,000 people may have lived here—concubines, janissaries, eunuchs, cooks, doctors, imams, ministers, gardeners, craftsmen, artists, ghosts. Almost all, save for the Sultan and his family, were slaves.
Those days are gone, of course. The Ottoman rulers are dead, the candle-bearing tortoises have crawled away, and tourists, many of them Turkish, daily invade the most private chambers of the royal family. Nothing much is left—apart from the famed emerald-studded dagger and other relics in the Treasury museum—except the buildings themselves….
And the riotous flower-embellished tiles that cover the walls, inside and out. Come and see….